So where’s Jen these days anyway?
Why hello, nice to see you again. Now that reviewdle has moved, I’ve been omninously quiet on this board. Turns out I have less to say about comics and zombies than anticipated. But now? Strike up the marching band, because I finally have something to contribute.
I’ve been writing a lot lately (as well as Sawbones I’m writing two projects for artist genius Jase Harper which are both super exciting and have started poking at the edges of a project for the absurdly talented Doug Holgate, see above re: super exciting) and when I write, I read comics. Comics like these:
Copper – Kazu Kibuishi
It’s hard to get your hands on comics for kids these days, but there this was in Minatour (probably wedged in between Sin City and 30 Days of Night), a gorgeous, full color comic for kids. Copper and his dog Fred have whimsical adventures in their minds, dreams and real life (all pretty much with the same design aesthetic). Usually one page strips, these comics rely heavily on the art (which is beautiful) and the setting (which is fantastically fantastical) to engage, but engage they do. Just so pretty. A bunch are online: check them out
Daisy Kutter – Kazu Kibuishi
Entirely by coincidence,
I grabbed another Kazu when Brendan Hallyday was pruning his comic collection at a recent Melbourne Creator’s Meet. Very glad I did too. Daisy Kutter is a Clint Eastwood-style bandit and the best train robber in a steam-punk Wild West. She has a long standing love/hate relationship with the local sheriff and is about to embark on One Last Job. Although (as with Copper) the story and dialogue are the weakest points, the art and design are outstanding and well worth the price of admission.
Blankets – Craig Thompson
This won two major Eisners and 3 major Harveys in 2004? Really? Generally, the black and white art is very good, but uneven. I don’t need the art to be more polished (there is a lovely loose feeling about this), I’d just prefer more consistency in quality. And the story? The very definition of self indulgence. This is an intensely personal story of Thompson’s first love and how he lost his faith, things that a lot of people should be able to engage with but his treatment is so… teenaged, so angsty and “you might have been in love once, but it was different for me, our love was special” that I just couldn’t sympathise.
Perfect Example – John Porcellino
Deceptively little happening here, both narratively and artistically, but I was drawn in nonetheless. Porcellino’s simple line drawing is easy to comprehend and his words are quick to read, so I was half way through before I realized there was not much of a story to be had. Again, this is intensely personal territory – Porcellino’s account of that weird lost time between school and whatever comes next, a severe bout of depression and figuring out love – but so much easier to stomach than Blankets.
Little Nothings – Lewis Trondhiem
Jackpot.
After two shades of not very impressive memoir, Trondheim reminds me (as Christopher Downes often does) that personal stories can, in fact, be done very very well. Little Nothings is a collection of page-a-day journal comics that run the gamut of extraordinary events to the everyday. His eye is wonderful, his pacing extraordinary, his stories pithy and his art terrific. If you haven’t already, I highly recommend getting your hands on this one.
– Jen







February 19th, 2010 at 2:45 am
Oddly enough, Jen, I avoid Blankets, and hadn’t heard of the other one you didn’t like so much, but agree with you completely on the other three. I thought I was the only one not blown away by the writing on Copper (the Amulet is kinda dull too, but oh so pretty). There are also two more volumes of Little Nothings! I haven’t read them yet, but I’d love to get my hands on them for a reduced price like I did the first. We are artists. We are not rich. ;o)
February 20th, 2010 at 6:14 pm
Two more Little Nothingses?! Caanan, that’s the best damn news I’ve had all day. I shall smash the piggy bank posthaste!
– Jen